SKU: 30205592783

Saint-Saëns

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Saint-SaënsAuf seinem neuen Album mit franzsischer Musik prsentiert Star Pianist Lang Lang Klassiker und Raritten. Herzstck der Aufnahme sind Saint Sans Karneval der Tiere sowie sein virtuoses Klavierkonzert Nr. 2, eingespielt mit einer Starbesetzung, dem Gewandhausorchester und Andris Nelsons. Fr Lang Lang ist dieses Konzert ein wahres romantisches Meisterwerk, das es mit den berhmten Klavierkonzerten von Rachmaninoff oder Liszt aufnehmen kann. Die Kombination

Auf seinem neuen Album mit französischer Musik präsentiert Star-Pianist Lang Lang Klassiker und Raritäten. Herzstück der Aufnahme sind Saint-Saëns’ Karneval der Tiere sowie sein virtuoses Klavierkonzert Nr. 2, eingespielt mit einer Starbesetzung, dem Gewandhausorchester und Andris Nelsons. Für Lang Lang ist dieses Konzert ein wahres romantisches Meisterwerk, das es mit den berühmten Klavierkonzerten von Rachmaninoff oder Liszt aufnehmen kann.  
Die Kombination mit dem Karneval der Tiere bot nicht nur eine weitere Chance, junge Menschen für klassische Musik zu begeistern, sondern zudem eine schöne Gelegenheit, mit seiner Frau, der Pianistin Gina Alice, zusammenzuarbeiten. »Viele von uns kennen den berühmten Karneval der Tiere noch aus ihrer Kindheit. Hinter all dem Spaß stecken viele kluge Einfälle.«, sagt der Pianist.  
Ergänzt werden diese beiden Werke durch einige beliebte Klassiker für Klavier solo und zu vier Händen von Ravel, Fauré und Debussy sowie Bearbeitungen wie das berühmte »Blumen-Duett« aus der Oper Lakmé. Und schließlich ehrt der Pianist die Musik von fünf französischen Komponistinnen, die zu ihrer Zeit um Anerkennung ringen mussten. Lili Boulanger, die wohl berühmteste unter ihnen, war da eine Ausnahme, sie ist die erste Frau, die den begehrten Prix de Rome gewann. Lang Lang spielt ihr impressionistisches D’un jardin clair auf zauberhafte Weise.
Dieses facettenreiche Doppelalbum ist ein Fest für die Ohren und verspricht ein fesselndes musikalisches Erlebnis.

Tracklist:

CD 1    48:49
CAMILLE SAINT-SAËNS (1835–1921)Le carnaval des animaux R. 125
Carnival of the Animals
Grand Zoological Fantasy for 2 Pianos and Orchestra
1. No 1      Introduction     0:31
2. The Lion’s Royal March    1:36
3. No 2      Hens and Roosters    0:45
4. No 3      Jackasses (Wild Animals)    0:40
5. No 4      Tortoises    2:18         
6. No 5      The Elephant    1:38        
7. No 6      Kangaroos     0:52        
8. No 7      Aquarium     2:30
9. No 8      Personages with Long Ears    0:43        
10. No 9      The Cuckoo in the Deep Woods    2:18        
11. No 10 Aviary    1:18        
12. No 11 Pianists    1:15        
13. No 12 Fossils    1:26        
14. No 13 The Swan    3:09        
15. No 14 Finale     1:53        

Concerto for Piano and Orchestra No. 2 in G minor op. 22
16. 1.    Andante sostenuto    13:16
17. 2.    Allegro scherzando    5:51
18. 3.    Presto    6:50
Lang Lang piano I
Gina Alice piano II (Le carnaval)
Gewandhausorchester Leipzig
Cornelia Grohmann flute solo (11)
Andreas Lehnert clarinet solo (10)
Christian Giger cello solo (13)
Burak Marlali double bass solo (6)
Andris Nelsons conductor

CD 2    57:54

MAURICE RAVEL (1875–1937)
1. Pavane pour une infante défunte M. 19    5:57
Version for Piano
CLAUDE DEBUSSY (1862–1918)
Petite Suite CD 71a
for Piano 4 Hands
2. 1.    En bateau. Andantino    4:14
3. 2.    Cortège. Moderato    3:35
4. 3.    Menuet. Moderato    3:40
5. 4.    Ballet. Allegro giusto    3:13
GABRIEL FAURÉ (1845–1924)
6. In paradisum    3:44
No. 7 from Requiem op. 48 · Arr. for Piano by Emile Naoumoff
LÉO DELIBES (1836–1891)
7. Lakmé: Flower Duet    2:14
Arr. for Piano by Emile Naoumoff
CAMILLE SAINT-SAËNS (1835–1921)
8. Toccata d’après le cinquième concerto    4:03
Toccata after the Fifth Concerto
No. 6 from Six Études pour piano op. 111
GABRIEL FAURÉ (1845–1924)
9. Pavane op. 50    6:13
Version for Piano
LOUISE FARRENC (1804–1875)
10. Étude No. 10 in F sharp minor    5:28
from 30 études dans tous les tons majeurs et mineurs pour piano op. 26
CHARLOTTE SOHY (1897–1955)
11. Romance sans paroles    3:15
Song without Words
No. 4 from Quatre pièces romantiques op. 30
GERMAINE TAILLEFERRE (1892–1983)
12. Valse lente    2:46
MÉLANIE BONIS ALIAS MEL BONIS (1858–1937)
13. La toute petite s’endort    1:56
No. 13 from Miocheries. 14 scènes enfantines pour piano
LILI BOULANGER (1893–1918)
14. D’un jardin clair    3:21
No. 2 from Trois morceaux pour piano
CAMILLE SAINT-SAËNS (1835–1921)
15. Le cygne     3:15
The Swan
No. 13 from Le carnaval des animaux R. 125 
Arr. for Piano 4 Hands by Emile Naoumoff
Lang Lang piano & Gina Alice piano (Petite Suite)
 

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SKU: 30205592783

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Organic Sunscreen with an Air-Brushed Finish
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I bought this product because I was going to be in the field for a month, outside, every day, all day, in Tanzania at high altitude. A severe sunburn would be hard to treat in the remote area we were in, but also I am very careful about protecting my skin from aging. I had to have mineral based sunscreen because as a whitewater kayaker I know it’s the only truly water resistant kind and it was going to be sweaty. And since I knew I was going to be putting it on every day, and we didn’t have running water in the field (bucket showers only) I didn’t want it to feel gross. (I really wanted to try the spray but I didn’t want to put anything pressurized in my luggage.) And I had already discovered the Coola face sunscreen (30spf version) which had impressed me with how silky smooth and not greasy it is. Now this IS greasier because it is a higher SPF. BUT I think this product is as good as you’re going to get with the protection you’re getting. Like I said, I’m a white water tiger, so I have used a LOT of mineral sunscreens. This was hands down the most comfortable one I’ve used. And it was effective. I didn’t burn once—only time I did burn was when I forgot to put it on one day toward the end of the trip, when we were out for just a couple hours—and I got the first 2nd degree burn I’ve ever had in my life. That was what this stuff had protected me from, all day every day, the entire trip. I did tan a little but I think that was mostly from the few times I was not covered during short bouts or it was cloudy. For my face I used the Coola 50spf face product.
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I use this every day and I love how it is frangrance free and creamy. I have a very fair complexion and I will say it leaves a slight white cast but it doesn’t bother me because it almost makes my fairness more creamy looking. My skin texture has improved since wearing it daily and no allergies from it. I highly recommend especially if you have fairer skin otherwise it may leave a cast .
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Excellent mineral sunscreen with minimal white cast.
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This is one of the healthier sunscreens I’ve found so far. You’re not likely going to find a mineral sunscreen that doesn’t leave some white cast. However, this one rubs in pretty good with minimal cast. You can dab on and rub in fairly easily… as long as you don’t use too much the white cast should be minimal. I am not sure how well this would work on darker skin tones. My arms are a medium skin tone… my legs are more of a light-medium tone. I prefer mineral sunscreens, and this is the best one I found so far and compatible to Supergoop mineral play. If you liked that one, you would likely enjoy this Coola one too.
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