SKU: 6124327803

Samsung Galaxy A17 5G Dual-SIM 128GB Black

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Description

Samsung Galaxy A17 5G Dual-SIM 128GB BlackBrillantes Super AMOLED: Tauche ein in ein faszinierendes Seherlebnis auf dem 17 cm (6. 7) FHD+ Super AMOLED Display mit flssigen 90 Hz fr lebendige Farben und gestochen scharfe Bilder. Gestochen scharfe Fotos: Halte deine schnsten Momente fest mit der vielseitigen 50MP Triple Kamera und der 13MP Frontkamera fr einzigartige Aufnahmen und Selfies in jeder Situation. Ausdauernde Power: Der starke 5000 mAh Akku begleitet dich zuverlssig den ganzen Tag

  • Brillantes Super AMOLED: Tauche ein in ein faszinierendes Seherlebnis auf dem 17 cm (6.7”) FHD+ Super AMOLED Display mit flüssigen 90 Hz für lebendige Farben und gestochen scharfe Bilder.
  • Gestochen scharfe Fotos: Halte deine schönsten Momente fest mit der vielseitigen 50MP Triple-Kamera und der 13MP Frontkamera für einzigartige Aufnahmen und Selfies in jeder Situation.
  • Ausdauernde Power: Der starke 5000 mAh Akku begleitet dich zuverlässig den ganzen Tag und bietet dir bis zu 2632 Minuten Videowiedergabe, damit du immer verbunden bleibst.
  • Riesiger Speicherplatz: Mit 128 GB internem Speicher, erweiterbar um bis zu 2 TB via MicroSD, hast du immer genug Raum für all deine Apps, Fotos und Videos.

Dein zuverlässiger Begleiter für jeden Tag ist da: das Samsung Galaxy A17 5G. Entdecke eine Welt voller Möglichkeiten und bleibe immer in Verbindung mit einem Smartphone, das dich nicht im Stich lässt. Dieses Smartphone bietet dir eine Kombination aus Leistung, beeindruckender Darstellung und ausdauernder Energie, um deinen Alltag optimal zu unterstützen.

Ein Display, das dich begeistert

Tauche ein in die faszinierende Welt des 17 cm (6.7”) FHD+ Super AMOLED Displays. Egal ob du Filme schaust, Spiele spielst oder einfach nur im Internet surfst, die lebendigen Farben und die hohe Auflösung von 1080 x 2340 Pixeln sorgen für ein beeindruckendes Seherlebnis. Die flüssige Darstellung mit einer maximalen Bildwiederholrate von 90 Hz macht jede Interaktion zum Vergnügen und lässt Inhalte gestochen scharf erscheinen.

Deine Momente, perfekt festgehalten

Mit der leistungsstarken Kameraausstattung des Samsung Galaxy A17 5G bist du für jede Situation gewappnet. Die 50MP Hauptkamera fängt deine Erinnerungen in beeindruckender Qualität ein, unterstützt von einer 5MP und 2MP Sekundärkamera für kreative Aufnahmen. Für deine Selfies steht dir eine 13MP Frontkamera zur Verfügung, die dich immer von deiner besten Seite zeigt. Dank Optical Image Stabilization (OIS) und Autofokus gelingen dir scharfe Bilder und stabile Videos in Full HD-Auflösung.

Power, die dich nicht im Stich lässt

Der starke 5000 mAh Akku des Samsung Galaxy A17 5G hält den ganzen Tag durch. Verlasse dich auf eine ausdauernde Energieversorgung, die dich jederzeit erreichbar hält und für ununterbrochenen Spaß sorgt. Laut technischen Daten bietet er eine Akkulaufzeit von 2632 Minuten pro Zyklus bei der Videowiedergabe – das sind fast 44 Stunden non-stop Unterhaltung. Angetrieben wird das Smartphone von einem Samsung Exynos 1330 Octa-Core Prozessor mit bis zu 2,4 GHz, der für eine flüssige Performance sorgt.

Platz für all deine Erinnerungen und mehr

Mit 128 GB internem Speicher hast du ausreichend Platz für all deine Fotos, Videos, Apps und Dateien. Und wenn du noch mehr Speicher benötigst, kannst du diesen ganz einfach mit einer MicroSD-Karte auf bis zu 2 TB erweitern. Das Samsung Galaxy A17 5G ist zudem mit einer IP54-Zertifizierung vor Staub und Spritzwasser geschützt, was es zu einem robusten Begleiter für viele Alltagssituationen macht. Mit Android 15 hast du Zugriff auf die neuesten Funktionen und eine intuitive Bedienung in einer vernetzten Welt.

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4.7 ★★★★★
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Product Reviews
R
Verified Purchase
Rachel S.
Phoenix, US
★★★★★ 5
Exquisite, enrapturing
Format: Paperback
Loved the gritty, visceral language and the epic nature of this poem. Notely blows me away -- the loss of memory, the tangled and eternal subway, the owls and masks.
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Reviewed in the United States on May 29, 2014
E
Verified Purchase
Eileen O Malley Callahan
Carnegie, US
★★★★★ 5
Five Stars
Format: Paperback
Brilliant, lucid, engaging and brave, a feminist chthonic journey shimmering with poetic bravado.
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Reviewed in the United States on December 18, 2014
J
JeFF Stumpo
Louisville, US
★★★★★ 5
A Feminist Divine Comedy?
Format: Paperback
Let me start with this: The Descent of Alette is difficult to read at first. Notley "puts quotation marks around" "groups of words" "in lines" "that can be off-putting." Note that I'm not quoting from the book there, just giving an example of what the book's text appears like. This forces us to read more slowly, taking in each line a few words at a time. What appears to be awkward is in fact a great solution to the speed-reading most of us do these days. That being said, it's troublesome for the first few poems, less so after that, virtually invisible by the end of the first section. When talking about this book, I immediately compare it to Dante's Divine Comedy, and I commonly see others do the same (see an earlier review here on Amazon.com). Exchange Hell for a subway, and you've basically got it: an underground realm ruled over by a Tyrant, poor souls being tortured, though in this case there is no indication that they have done anything to deserve it. Notley's language might not be quite as beautiful/harsh as Dante's, but her images stand with anything he created. After introducing two characters on a subway, a woman and her baby, both on fire, Notley writes: "another woman" "in uniform" "from above ground" "entered" "the train" "She was fireproof" "she wore gloves, & she" "took" "the baby" "took the baby" "away from the" "mother" "Extracted" "the burning baby" "From the fire" "they made together" "But the baby" "still burned" ("But not yours" "It didn't happen" "to you") "We don't know yet" "if it will" "stop burning," "said the uniformed" "woman" "The burning woman" "was crying" "she made a form" "in her mind" "an imaginary" "form" "to settle" "in her arms where" "the baby" "had been" "We saw her fiery arms" "cradle the air" "She cradled air" ("They take your children" "away" "if you"re on fire") "In the air that" "she cradled" "it seemed to us there" "floated" "a flower-like" "a red flower" "its petals" "curling flames" "She cradled" "seemed to cradle" "the burning flower of" "herself gone" "her life" ("She saw" "whatever she saw, but what we saw" "was that flower") After surviving the horrors of the subway, Alette goes even deeper underground, passing through a series of psychological challenges that at times seem straight out of Freud, at times out of Classical mythology, at times out of collective dreams. Throughout it all, we learn more and more about Alette, who is not just a "hero" who goes through the motions necessary to the plot, but who considers and stumbles and is confused and learns. The third section of the book is a rebirth, wherein Alette finds a source for a stronger power than the Tyrant's, and it is distinctly feminist in its nature. I need to note here for those who react to feminism in a knee-jerk way: Notley's feminism is not a militant feminism, though it requires brief "military" action on Alette's part. Men are helpful in the story, have purpose besides being the bad guy. If anything, what Notley attacks in the form of the Tyrant is the idea of a corrupt masculinity, a kind of Big Brother who would easily stand as an antagonist in any number of 20th/21st century literary works. Alette's feminism is the discovery of her place in the world, and that place is not slaving away mindlessly for the Tyrant, not acting as just a womb or pair of hands or pretty face. It's a nuanced message, despite the epic (and therefore presumably black-and-white) nature of the whole book. The fourth section is the showdown with the Tyrant, a great deal of philosophizing, and an ending that I actually find more satisfying than that of Paradiso. I won't spoil it here, but it just works extremely well in conjunction with the themes of Descent as a whole. If you want to be challenged, if you want to think deep thoughts, if you want surreality and magic, pick up The Descent of Alette. For even more interesting reading from the author and her partner, you could also turn to The Scarlet Cabinet, which contains but actually predates the on-its-own publication of Descent.
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Reviewed in the United States on October 11, 2010
K
Kent Shaw
Carnegie, US
★★★★★ 5
A Contemporary Epic
Format: Paperback
I have a complicated relationship with most of the books I've read by Alice Notley. I admire her facility with the lyric, her ability to get just beneath a concept or sentiment using a very talk-y style so that I always feel like I'm with whatever speaker she's using, inside that mind and her mind all at once. This is a good kind of complication. It's one I yearn for with poems. The unpleasant complications are when I feel as though I'm just being subjected to her unedited notebook entries. Too much, too much, too much. It comes up especially with her book Mysteries of Small Houses. I mention these difficulties only to sharpen the accomplishment of The Descent of Alette. Like other reviewers, I feel the tonal similarities to Dante's Inferno. Which becomes a subversive allusion considering Alette seeks after a male Tyrant in order to destroy him, while Dante sought after his Beatrice out of desire. But I read and reread Alette, because Notley continually subverts patriarchal conventions in the book. I actually find I crave the speaker's intellect, and the mythic logic that gives the book its arc. I want it more. Yes, there are quotations around each fragment in the poems. I actually appreciate them for slowing my reading down, and for sharpening my focus on the use of Notley's language. And it's not just a stylistic tic, or something to be endured. It could actually be described as further subversion of The Tyrant Alette pursues.
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Reviewed in the United States on August 25, 2011
R
Verified Purchase
Raquel Wilbon
Chelsea, US
★★★★★ 2
Imagery and diction
Format: Paperback
This book was very challenging to read because everything was written in quotations however, it was intriguing as a different way of writing poetry.
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Reviewed in the United States on August 11, 2020

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