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Decadence: A Very Short Introduction

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Decadence: A Very Short IntroductionThe history of decadent culture runs from ancient Rome to nineteenth century Paris, Victorian London, fin de sicle Vienna, Weimar Berlin, and beyond. The decline of Rome provides the pattern for both aesthetic and social decadence, a pattern that artists and writers in the nineteenth century imitated, emulated, parodied, and otherwise manipulated for aesthetic gain. What begins as the moral condemnation of modernity in mid nineteenth century France on

The history of decadent culture runs from ancient Rome to nineteenth-century Paris, Victorian London, fin de si�cle Vienna, Weimar Berlin, and beyond. The decline of Rome provides the pattern for both aesthetic and social decadence, a pattern that artists and writers in the nineteenth century imitated, emulated, parodied, and otherwise manipulated for aesthetic gain. What begins as the moral condemnation of modernity in mid-nineteenth century France on the part of decadent authors such as Charles Baudelaire ends up as the perverse celebration of the pessimism that accompanies imperial decline. This delight in decline informs the rich canon of decadence that runs from Joris-Karl Huysmans's � Rebours to Oscar Wilde's The Picture of Dorian Gray, Aubrey Beardsley's drawings, Gustav Klimt's paintings, and numerous other works.

In this Very Short Introduction, David Weir explores the conflicting attitudes towards modernity present in decadent culture by examining the difference between aesthetic decadence--the excess of artifice--and social decadence, which involves excess in a variety of forms, whether perversely pleasurable or gratuitously cruel. Such contrariness between aesthetic and social decadence led some of its practitioners to substitute art for life and to stress the importance of taste over morality, a maneuver with far-reaching consequences, especially as decadence enters the realm of popular culture today.

ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.


Binding Type: Paperback
Publisher: Oxford University Press, USA
Published: 04/10/2018
ISBN: 9780190610227
Pages: 160
Weight: 0.50lbs
Size: 6.80h x 4.30w x 0.50d

Review Citations: Choice 12/01/2018
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SKU: 63480413802

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Richard Byrd
Pawtucket, US
★★★★★ 5
Great comic
Format: Kindle
I loved this comic. It's the first one I've read and I enjoyed the way other Marvel characters showed up periodically throughout it. Great story and art as well. A + in my book!
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Reviewed in the United States on February 4, 2015
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Bozeman, US
★★★★★ 5
Excellent Comic!
Format: Hardcover
Definitely liked the comic. Nicely sets up the storyline for the remaining volumes. All characters portrayed as they are with weaknesses and faults. Well written and worth the money. I didn't like the ensing but overall a great read.
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Reviewed in the United States on November 12, 2013
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An Honest Reviewer
Bozeman, US
★★★★★ 5
Better Than The Sequel Trilogy
Format: Kindle
This comic story really helps in the effort to fix the newest movie trilogy. The comic is stellar.
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Reviewed in the United States on May 4, 2025
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Catherine
Los Angeles, US
★★★★★ 5
A must read for Kylo fans
Format: Kindle
I'm so sad this was only about 100 pages. This gave clarity to the choppy movie origin story of Kylo Ren while filling some major movie plot holes. Angsty, heart wrenching and dark -- the perfect intro for our favorite emo space boy. The art style was really great without being too gory. Adam Driver fans will also be pretty pleased with the likeness (it's not exact, but still good).
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Reviewed in the United States on August 4, 2020
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Rob Jay
Boise, US
★★★★★ 5
Really good read, and leaves questions
Format: Paperback
Nice to see the Ben Solo story flushed out more than what was shown in The Last Jedi and The Rise Of Skywalker. A good job also of not explaining everything. Ben mentions something about what Skywalker did to Snoke, and then there's the Emperor himself speaking to Ben in his mind, which makes one wonder, if even the Emperor was his own voice in Ben's head, why didn't Kylo recognize him in The Rise Of Skywalker. Plenty of things left to really expand upon this very good story.
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Reviewed in the United States on August 2, 2020

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