SKU: 33839776438

SHAPELY ORANGE BITOSSI VASE DESIGNED BY ALDO LONDI FOR RAYMOR

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Description

SHAPELY ORANGE BITOSSI VASE DESIGNED BY ALDO LONDI FOR RAYMORA very substantial 60s orange glazed vase with a floral motif designed by Aldo Londi and produced at Bitossi Ceramiche for Raymor. The feminine shape is accented with unglazed bands at the neck, 'hips,' and foot giving the vase a rather rustic feel. There is a flat chip measuring roughly one half inch at the base that blends in so well that we almost failed to notice it (see photos). It does not detract ALDO LONDI (1911 2003) was one of Italy's most

A very substantial 60s orange-glazed vase with a floral motif designed by Aldo Londi and produced at Bitossi Ceramiche for Raymor.  The feminine shape is accented with unglazed bands at the neck, 'hips,' and foot giving the vase a rather rustic feel.  There is a flat chip measuring roughly one-half inch at the base that blends in so well that we almost failed to notice it (see photos).  It does not detract

ALDO LONDI (1911-2003) was one of Italy's most noted master ceramicists who spent most of his long and successful career creating exceptional works of great art and craft for the Italian ceramics manufactory Bitossi Ceramiche.

Londi’s hometown just outside of Florence, Montelupo Fiorentino, has been an important center for pottery production since the Renaissance. In 1922, at the age of eleven, Londi started working for Fratelli Fanciullacci, the region’s premier ceramics workshop at the time. Following World War II—upon returning to Italy from South Africa, where he was a prisoner of war—Londi became Bitossi’s Creative Director. He would hold this position for more than 50 years and would design over 1,000 objects—ranging from jugs and vases to clocks and animal figurines.

Londi employed his high-level technical expertise and vast experience in traditional artisanal methods to create distinctively expressive and whimsical forms, patterns, and finishes. Londi’s best-known collection is the 1950s-era Rimini Blu (1955-1965), a now-iconic midcentury modern series encompassing over 150 designs, all glazed in vibrant blue and embossed with abstract motifs and shapes. Londi created Ball Vase, his first piece in Persiano Blue, in 1955. Not long after in 1959, he began to create more pieces in this proprietary chromatic finish. The collection holds historical importance because it helped to bring handcrafted works into the modernist design conversation in Italy. Although blue was not the only color Londi utilized, it has become closely associated with his oeuvre. Londi’s last solo collection, Arkitectura (ca. 1950s), was very different from his earlier work; it features elegantly minimalistic animal figures glazed in monochromatic black, white, or platinum.

Starting in 1958, Londi began a fruitful collaboration with legendary architect-designer Ettore Sottsass (1917-2007), who considered Londi to be an important mentor. During his time at Bitossi, Londi also collaborated with Piero Fornasetti (1913-1988), Matteo Thun (b. 1952), and Karim Rashid (b. 1960).

Most of Londi’s collections, including the Rimini Blu and Akitectura, are still in production today and are widely collected by ceramics enthusiasts. Many of his original works can be seen at the MAIB–Artistic Industrial Bitossi Museum in Montelupo, which is dedicated to the history of the company.

BITOSSI CERAMICHE was established in 1921 as Manifattura Ceramica Cav. Guido Bitossi & Figli by Guido Bitossi in Montelupo Fiorentino in Tuscany—a region with an ancient tradition of ceramics a few kilometers from Florence. The Bitossi family, documented in the area as early as 1536, had for centuries worked there as sculptors, painters, but especially as potters. In the twentieth century, under Guido's leadership, they would introduce an extraordinary stylistic and formal renewal of their craft.

In the late 1940s, master ceramist Aldo Londi (1911-2003) was named BITOSSI CERAMICHE's creative director. He held the position for more than 50 years and would design over 1,000 objects for the company. Himself a Montelupo native, Londi brought to BITOSSI a deep expertise in the traditional production of ceramics. Nevertheless, he keenly appreciated the streamlined forms of the mid-century moment. He is best known for his 'Rimini Blu' collection (1955-1965), an iconic series comprised of over 150 designs—bowls, vases, jugs, and animal figurines—all glazed in a vibrant azure hue and embossed with abstract motifs and shapes. It helped to bring expressive, hand-crafted work into the modernist design conversation in Italy. Londi’s last solo collection, 'ARKitectura,' stands somewhat apart from his earlier work and features elegantly minimalistic animal figures glazed in monochromatic black, white, or platinum. Both collections are still in production today and widely collected by enthusiasts.

During Londi's tenure, BITOSSI collaborated successfully with a host of famous designers, including the legendary architect-designer Ettore Sottsass. An avatar of 1960s counter-culture, Sottsass thought design should be provocative and sensual, and his avant-garde style blended well with BITOSSI’s mid-century aesthetic. Besides Sottsass, BITOSSI partnered with designers Piero Fornasetti, Karim Rashid, Arik Levy, Fabio Novembre, Benjamin Hubert, Matteo Thun, Monica Förster, and Cédric Ragot.

Today BITOSSI CERAMICHE is justly considered an institution. The Bitossi family and its foundation have amassed an archive of over 7,000 historical documents and materials concerning the production of ceramics. The assemblage is housed in the Bitossi Artistic Industrial Museum in Montelupo. In 2014, BITOSSI became an official member of the Registry of Italian Historical Companies, appointed by the Italian National Union of Chambers of Commerce.

Details

Dimensions
6ʺW × 6ʺD × 12.25ʺH
Styles
Italian
Mid-Century
Rustic
Brand
Bitossi
Designer
Aldo Londi
Period
1960s
Place of Origin
Italy
Item Type
Vintage, Antique or Pre-owned
Materials
Earthenware
Condition
Good Condition, Original Condition Unaltered, Some Imperfections
Color
Orange
Condition Notes
Shallow Chip At Foot. See Photo
Shipping Notes
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SKU: 33839776438

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Reviewed in the United States on December 24, 2025
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This WDT tool instantly improved the evenness of my puck prep, and the difference in my shots was obvious. The ultra‑fine needles fluff the grounds perfectly without creating channels. It has a nice weight to it and feels like a real upgrade compared to cheaper plastic options.
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Reviewed in the United States on June 7, 2026
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Lisa Moore
Boise, US
★★★★★ 5
Has upped our coffee game :)
Color: Sliver, Color: Sliver
EDIT: Well, 2 months later, this is still performing okay, however some of the needles have gotten slightly bent, causing it to seem loose and wobbly as they rotate within their opening. . Not a great aspect of this design. If you loosen the head straighten any bent needles, it does help a little bit. So far so good. It’s made a little difference in our coffee. We buy espresso beans and so we really pay attention to the way the espresso acts from cup to cup. We notice that after using this tool our coffee is a little sweeter, probably because the way the grounds are so evenly distributed and the little channels that the wires create. Easy to use, store, and keep clean. And it’s cute on the counter!
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Reviewed in the United States on December 11, 2025
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FINO
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★★★★★ 5
Big Improvement in Espresso Consistency
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This WDT tool made a noticeable difference in the quality of my espresso shots. The needles are thin enough to break up clumps and create a very even coffee bed, and the distribution feels smooth and controlled. Build quality is solid, the handle feels comfortable, and it’s easy to clean. I’ve gotten more consistent extractions and better flavor since using it. For anyone looking to upgrade their espresso workflow, this is a simple but very effective tool. Definitely worth it.
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Reviewed in the United States on December 8, 2025
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Vincent DiBona
Birmingham, US
★★★★★ 5
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I rarely give 5 star reviews. This product deserves it. A lot of thought has gone into the design. First, the material of it is quite good, metal. It has a contoured and knurled top for ease of use and good grip without being "grippy". The recepticle has little brushes inside which I think is unique to this product. Will those brushes created a problem in the future? I don't know. But there must be a way to clean out the coffee dust at some point. An air blower? Until now I had been using a home-made WDT with acupuncuture needles drilled into a cork. When I used the Nessus WTD I could immediately feel a difference as I stirred the grounds. While I have only made two double-shots so far, there was noticeably less channeling that I had before (I use a bottomless portafilter exclusively). Actually I had no channeling, but initially two streams that mergedi into one in about 3 seconds, so pretty good compared to what I had before. Nothing much more to say except the price was quite good compared to other WDT's. Even though I haven't used this product more than a few times, I can, at least at first blush, recommend it.
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